Most home recorders will place a single boundary microphone about three inches away from the drum’s outer head. With the kick, this can be anywhere between 60 and 80Hz, depending on the style and speed of kick pattern (low frequencies on kick drums have a tendency to 'build-up' with quick kick drum work), while on the snare it would typically be between 110 and 170Hz. The mic of choice for most recording engineers when recording a kick drum is a dynamic mic. As stated in part one of this series, kick drums can be deceptively tricky to record properly in the studio. Recording Drums With Two Mics. Mic the kick drum. Hopefully you should already have a plan as to how to overdub the entire band, and probably have some sort of guide track to work from. This barebones example will be a Cardioid Condenser mic that will only hear sounds from the drums on-axis from below the mic. In a standard 4/4 set up, you’re hearing the snare on the two and four. The Metal Kick Drum proudly announces a new beast in our drum samples library...TMKD-VORTEX KIT. A kick drum can be mic’d in multiple ways, depending on the design of the drum and the number of mics at your disposal. In fact, you can find some large diaphragm dynamic mics specifically designed to record kick drums. The boominess of the low end will also decrease (very slightly, we are talking a kick drum, here) as you pull the mic further away from the skin (proximity effect). Your drum recording can benefit a lot with careful EQ slicing – to remove unwanted frequencies, especially the low rumbles of the kick and long trebly tails of the cymbals with a one microphone setup. We pass on the hard-won wisdom of fifty top producers in the essential Sound On Sound guide to recording kick and snare drums, the backbone of modern music.. Kick drum Before getting ready to mic up your kick drum, ensure you have a porthole cut out in the resonant skin. This mic gives you the attack and power behind the kick drum. 2 Microphones Recording Overhead Set-Up *Microphone Placement for Kick Drum. The best size for a porthole is 4 or 5 inches, and cut out the porthole at the 5 o’clock position on the drumhead. Whether you call it a bass drum, kick drum, or just “the kick,” this instrument is the anchor of the rhythm section in most styles of popular music. The sound of the bass drums differs a lot with the drummer’s choice of size, heads, tuning, muffling and whether or not there is a hole in the front head. A new set of drum shells with a powerfull and defined sound. the best microphones for recording kick drums We called the snare the rhythmic punch of your drum track; conversely, the kick drum is the heart beat of your track. Since nearly everything else revolves around this central element in some way, the sound of the bass drum … The bass (kick) drum is the largest sound source of the entire drum kit and also the one with the lowest frequencies. Having a porthole allows you to record the kick drum with more attack and greater definition. Then apply compression effect to the drum recording, to control attack transients that become too loud. I want to hear a combination of the drum — the hit of the drum and the snares almost equally as loud as the drum. When it comes to describing in interview how they record drums, top producers seem to spend more time discussing techniques for snare drum and bass drum than anything else. Recorded, edited and processed to fit in most of modern metal mixes!...and it's FREE! That snare has a space to fill — it’s the answer to the space the kick drum is filling on the one and three. There are many different ways to record a complete drum kit, and it will depend on what recording equipment you have available. Use the 1 Overhead Mic Recording Set-Up then add another microphone, a Bass drum mic. Recording the drums is probably the first stage in a recording where you finally get to start building the ‘final’ sound. No matter where you place the mic, you can reduce the amount of boominess that you get from the drum by placing a pillow or blanket inside the drum.