Phrygian Dominant = “Dominant flat 2 flat 6” = “Freygish Scale” = “Mixolydian b9 b13” How to read the Charts? Leave your email here. Ways to think of the Phrygian major third: Check out these related posts: Hungarian Minor Phrygian Dominant. In today's video we explore the phrygian dominant scale. Some chord progressions including extended Phrygian based chords: Bm7 - D6 - Gmaj7 (B Phrygian) Dm7 - Fmaj7 - G6 - Em7 (E Phrygian) Bbmaj7 - C6 - Gm7 - Am7 (A Phrygian) A quintessential Spanish progression utilising the Phrygian Dominant’s chords: Chordal analysis of the Spanish progression: I iv bIII bII (E – Am – G – F) E major – 4 beats A minor – 4 beats G major – 4 beats F major – 4 beats . Phrygian Dominant Harmony. practice soloing in phrygian dominant! Then the theory, chord voicings, and scales. click here. So Mixolydian then becomes indistinguishable from Ionian (major), and Dorian turns into melodic minor. The Phrygian Dominant scale is also known by the following names: Spanish, Spanish Phrygian, Spanish Gypsy, Jewish. Want to stay in the loop as an ESG subscriber? First you'll learn the dominant sus chord. In addition, the 6 chord on the third degree can be substituted with dominant 7th. The tablature and standard musical notation for the scale will be shown below. The roman numeral for number 5 is 'v' and is used to indicate this is the 5th triad chord in the mode. The Phrygian Dominant Scale. Playing over a sus7b9 chord, also called a Phrygian dominant, or Phrygian, or susb9 chord, is tricky. This special scale is actually a mode of the harmonic minor scale. References: Using Flamenco Sketches as a model, we'll dissect Miles Davis, John Coltrane, Cannonball, and Bill Evans on this chord sound. There are some common chord sequences that use notes from the phrygian dominant scale. Phrygian Dominant Guitar Tab Phrygian Dominant Tab: Click to enlarge. I've been trying to better understand the harmony of the mode so I can use it more. The phrygian chord v o is the B diminished chord, and contains the notes B, D, and F. This dominant chord's root / starting note is the 5th note (or scale degree) of the phrygian mode. Click here . Obviously the i chord is a tonic chord and iv is a subdominant chord, but the other chords in the mode seem not to line up right. You can also whip out this scale if someone’s chugging on any of the following power chords: A5, Bb5, D5, F5, and G5. These chords work beautifully together, especially as you’re playing them in close proximity on the fretboard. Therefore, you can play the phrygian dominant scale over any chord progression you come up with using those chords. Phrygian is a very distinct sounding mode. The tab shows a 2 octave C Phrygian dominant scale. To see the scale centered on any portion of the fretboard use your mouse to drag the green outline left or right. Tab for an E Phrygian dominant scale is provided further down the page. Instructions Related Scales Related chords. It uses the notes shown in Fretboard Diagram 1 (shown below) and starts at the 8th fret. Show me chords that sound good with an A Phrygian Dominant scale. For example, the interplay of voices leads to the desire for leading tones in dominant harmony, so that a performer or composer is tempted to sharp the 7th in Dorian or Mixolydian or Phrygian. The II chord could also be maj9 or maj13, the iv chord could also be m9 and m11 and so on.